His girl friday analysis

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Hildy Johnson Rosalind Russell has left the newspaper and has come to say goodbye to her editor and recently divorced ex-husband, Walter Burns Cary Grant , who owes her money. With the turmoil from a recent criminal case and pending public execution lingering over the city, perhaps the biggest story of the year may just make the choice for Hildy to stay or go a little more difficult than she anticipated. The director foreshadows them to some degree two years earlier in Bringing Up Baby , where the layering of chaos and the heightening of the frantic nature of the dialogue earnestly births screwball comedy. Though separated by only two years, the world is a darker place than in Bringing Up Baby, and Hawks must find a way to explore his comedy in a scenario that is believable in an era tearing itself apart. Putting aside for one moment the break up of a relationship concocted by an ex, essentially the drama figures around the clock ticking down to a public hanging. But Hawks knows that laughter can be a powerful way to manoeuvre through such grim, complex realities.
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How His Girl Friday redefined the screwball comedy

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His Girl Friday Study Guide | GradeSaver

Hecht and MacArthur, with the help of Charles Lederer, adapted the script from the stage version into what would become one of the most beloved screwball comedies of all time. The most notable change was suggested by director Hawks, whose idea it was to make Hildy Johnson a woman. In the original script, Hildy Johnson was a male reporter and the central story was not romantic at all, but when Hawks heard his secretary reading the Hildy Johnson lines one day during auditions, he thought the switch might work perfectly. His intuition paid off, and the central romantic tension between Hildy Johnson and Walter Burns became one of the most iconic romantic film couplings of all time. The film is noted for its exceedingly witty dialogue and depiction of a strong-willed working woman who gives her male counterpart both a professional and personal run for his money. Upon its release, it was praised for its intelligent script and the masterful performances of its actors. Frank S.
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Gender and Ideology in His Girl Friday

The normal rate of dialogue delivery in a movie has been estimated at 90 words per minute. To coin a sporting analogy, that's like Patrick Rafter and Andre Agassi playing a rally so fast the crowd can't even see the ball. This isn't merely snappy, it's hypersonic.
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This clacking, chaotic newsroom is a tough world, just how tough we will shortly find out. But as played by Rosalind Russell, Hildy Johnson is more than at home in it—she rules it. And what more perfect director to have his camera gracefully tracking her every step than that lover of tough, intelligent dames Howard Hawks? Play became movie in via director Lewis Milestone, from a hard-boiled script by Bartlett Cormack and Charles Lederer that hewed closely to the stage version.

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